Information about a product
| Edition: | 1 |
| Place and year of publication: | Warszawa 2016 |
| Publication language: | polski |
| ISBN/ISSN: | 978-83-235-2440-3 |
| EAN: | 9788323524403 |
| Number of page: | 436 |
| Size of the file: | 8,02 MB |
| Publication type: | Praca naukowa |
| DOI: | https://doi.org/10.31338/uw.9788323524403 |
Glamour, Femininity, Performance. The Actress as the Object of Desire
The monograph concerns two fields of studies of a theatre: woman’s studies and popular genres’ studies. The author analyses a double relation between the femininity and the performance using the category of “glamour”, understood as a visual code rising in the city milieu. This code generates and controls the spectators’ desires. The author examines not only the historical genres (in which the actress was glamorized and as result the new model of femininity “glamour” was shaped) but also the attempts of impeachment of this model made in the theatre from the second half of the 20th century.
Keywords: glamour, femininity, show, actress, sensuality, burlesque, musical comedy, variety, studies of a theatre.
The monograph concerns two fields of studies of a theatre: woman’s studies and popular genres’ studies. The author analyses a double relation between the femininity and the performance using the category of “glamour”, understood as a visual code rising in the city milieu. This code generates and controls the spectators’ desires. The author examines not only the historical genres (in which the actress was glamorized and as result the new model of femininity “glamour” was shaped) but also the attempts of impeachment of this model made in the theatre from the second half of the 20th century.
Keywords: glamour, femininity, show, actress, sensuality, burlesque, musical comedy, variety, studies of a theatre.
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