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Annie Proulx – EBOOK

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The philosophical underpinnings and existential implications of Annie Proulx’s fiction situate it in the tradition of literary naturalism. The writer portrays characters from the lower social classes, people who are unable to overcome the impasse in which... czytaj więcej

Annie Proulx – EBOOK

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Edition:
1
Place and year of publication:
Warszawa 2020
Publication language:
polski
ISBN/ISSN:
978-83-235-4615-3
EAN:
9788323546153
Number of page:
216
Size of the file:
0,91 MB
Publication type:
Praca naukowa
DOI:
https://doi.org/10.31338/uw.9788323547983
The philosophical underpinnings and existential implications of Annie Proulx’s fiction situate it in the tradition of literary naturalism. The writer portrays characters from the lower social classes, people who are unable to overcome the impasse in which they have found themselves. Far from idyllic sentiments, Proulx’s approach to the experience of place connects her to the writers associated with so-called new regionalism. She shows the degrading influence of the life amidst beautiful natural surroundings on individual human psyche. Proulx looks closely at the processes of the commodification of regional culture and interprets them as symptoms of a dangerous global tendency.

Keywords: Annie Proulx, regionalism, naturalism, nature writing, cultural geography, U.S. West, literary topos.

See other publications in the series: Mistrzowie literatury amerykańskiej »

Marek Paryż – is an Americanist, an employee of the Institute of English Studies at the University of Warsaw, where he heads the Department of American Literature. In his research, he deals with nineteenth-century and contemporary prose and film, with particular emphasis on American and transnational westerns.

Alicja Piechucka, https://orcid.org/0000-0001-7522-7195
„Bez Polaków nie byłoby Ameryki”. Obraz Polonii amerykańskiej w Akordeonowych zbrodniach
https://doi.org/10.31338/uw.9788323547983.pp.77-106

Małgorzata Rutkowska, https://orcid.org/0000-0001-7962-3320
Bird Cloud: wymarzony (?) dom Annie
https://doi.org/10.31338/uw.9788323547983.pp.179-196

Dominika Ferens, https://orcid.org/
Dlaczego Tajemnica Brokeback Mountain nie jest tragedią?
https://doi.org/10.31338/uw.9788323547983.pp.139-156

Justyna Włodarczyk, https://orcid.org/0000-0002-8808-1582
Drwale, czyli o antropocenie (prawie) bez patosu
https://doi.org/10.31338/uw.9788323547983.pp.197-215

Marek Paryż, https://orcid.org/0000-0003-1108-2892
Geografia kulturowa Stanów Zjednoczonych w Pocztówkach
https://doi.org/10.31338/uw.9788323547983.pp.33-55

Elżbieta Horodyska, https://orcid.org/
Krytyczny regionalizm a progresywna przestrzeń teksaskiego panhandle w powieści As w rękawie
https://doi.org/10.31338/uw.9788323547983.pp.107-120

Elżbieta Klimek-Dominiak, https://orcid.org/0000-0003-4956-4483
Mężczyźni w żałobie, dzieci i morze: smutek pozbawiony praw a (od)budowanie relacji w Kronice portowej
https://doi.org/10.31338/uw.9788323547983.pp.57-76

Jadwiga Maszewska, https://orcid.org/0000-0002-9750-6176
Obrazy Wyoming w zbiorach opowiadań Close Range: Wyoming Stories i Bad Dirt: Wyoming Stories 2
https://doi.org/10.31338/uw.9788323547983.pp.121-137

Maja Daniel, https://orcid.org/0000-0002-4280-6905
Pieśni serca i zwodnicze żądze: naturalizm w krótkiej prozie Annie Proulx
https://doi.org/10.31338/uw.9788323547983.pp.15-31

Józef Jaskulski, https://orcid.org/0000-0002-0052-5849
Tanie Pogranicze, czyli obrzeża kapitałocenu: Dobrze jest, jak jest
https://doi.org/10.31338/uw.9788323547983.pp.157-178

Marek Paryż, https://orcid.org/0000-0003-1108-2892
Wstęp. Annie Proulx: „Cokolwiek odkryjesz i zobaczysz, tego, co najlepsze, już nie ma”
https://doi.org/10.31338/uw.9788323547983.pp.7-14

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