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Tech specs:
| Wydanie: | 2 |
| Miejsce i rok wydania: | Warszawa 2015 |
| Język publikacji: | polski |
| ISBN/ISSN: | 978-83-235-0236-4 |
| EAN: | 9788323502364 |
| Liczba stron: | 532 |
| Oprawa: | Miękka |
| Format: | 17x24 cm [eng] |
| Waga: | 900 g |
| Typ publikacji: | Podręcznik akademicki |
| DOI: | https://doi.org/10.31338/uw.9788323528050 |
Illusion and Realism. The Game with Spectator in Dutch Art in the Years 1580-1660
The work constitutes the panoramic study of the 17th century Dutch art taking into regard the greatest artists of this period: Hendrick Goltzius, Hendrick Vroom, Rembrandt, Johannes Vermeer. The author presents an integral relationship between the game of illusion and the realistic representation. The conception of picture open to spectator constitutes the interpretation’s key in author’s studies. This conception refers directly to recipient and involves him to the space and content of performance.
Keywords: illusion, realism, painting, 17th century, Dutch art, history of art, history of painting, Netherlands.
The work constitutes the panoramic study of the 17th century Dutch art taking into regard the greatest artists of this period: Hendrick Goltzius, Hendrick Vroom, Rembrandt, Johannes Vermeer. The author presents an integral relationship between the game of illusion and the realistic representation. The conception of picture open to spectator constitutes the interpretation’s key in author’s studies. This conception refers directly to recipient and involves him to the space and content of performance.
Keywords: illusion, realism, painting, 17th century, Dutch art, history of art, history of painting, Netherlands.
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