Information about a product
| Edition: | 1 |
| Place and year of publication: | Warszawa 2019 |
| Publication language: | angielski |
| ISBN/ISSN: | 978-83-235-4080-9 , 2657-9723 |
| EAN: | 9788323540809 |
| Number of page: | 160 |
| Binding: | Miękka |
| Format: | 17x24 cm |
| Weight: | 120 g |
| Method of publication: | Druk |
| Publication type: | Praca naukowa |
| DOI: | https://doi.org/10.31338/uw.9788323540885 |
The essays in this volume explore various aspects of creative interconnections between literature, music, theatre and performance in 18th and 19th-century Britain. The authors adopt diverse critical standpoints and methodologies, demonstrating numerous interpretative possibilities of the themes.
Keywords: british literature, british culture, 18th-century, 19th-century, theatre, music.
See other publications from the series: Texts and Contexts Studies in 18th and 19th Century British Literature and Culture »
Keywords: british literature, british culture, 18th-century, 19th-century, theatre, music.
See other publications from the series: Texts and Contexts Studies in 18th and 19th Century British Literature and Culture »
Anna Krawczyk-Łaskarzewska, https://orcid.org/
Content, Syntax, Punctuation – the Uses of Music in The Old Nurse’s Story by Elizabeth Gaskell
https://doi.org/10.31338/uw.9788323540885.pp.57-66
Joanna Kokot, https://orcid.org/0000-00024648-3402
Disharmonious Harmonies. Music as Theme in Charles Dickens’sThe Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323540885.pp.67-80
Marek Błaszak, https://orcid.org/0000-0003-2359-1563
Elements of Theatrical Performance and Sailors as Performers in Capt. Marryat’s Sea Novels
https://doi.org/10.31338/uw.9788323540885.pp.115-128
Maria Błaszkiewicz, https://orcid.org/
Handel’s Samson and the Art of Adaptation
https://doi.org/10.31338/uw.9788323540885.pp.29-44
Jacek Mydla, https://orcid.org/0000-0003-1240-286X
Horace Walpole’s The Mysterious Mother – a Gothic Oedipus?
https://doi.org/10.31338/uw.9788323540885.pp.83-102
Andrzej Weseliński, https://orcid.org/
Let’s Dance a Gavotte, Mr. Frankenstein. Some Remarks on the Theatrical Adaptations of Mary Shelley’s Novel
https://doi.org/10.31338/uw.9788323540885.pp.129-142
Pierre Dubois, https://orcid.org/
Music and the Georgian Novel, or the Divorce of Adam and Eve
https://doi.org/10.31338/uw.9788323540885.pp.11-28
Przemysław Uściński, https://orcid.org/
Spectacle of Pity: Hypocrisy and the Performance of Sentiment in Henry Mackenzie’s The Man of Feeling
https://doi.org/10.31338/uw.9788323540885.pp.103-114
Małgorzata Łuczyńska-Hołdys, https://orcid.org/
The Aeolian Harp and the Strain of Poetry – Musical Imagery in P.B. Shelley’s Selected Verse
https://doi.org/10.31338/uw.9788323540885.pp.45-56
Magdalena Pypeć, https://orcid.org/0000-0003-4361-0178
The Theatrical Trope as a Narrative Device in Dickens’s The Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323540885.pp.143-158
Content, Syntax, Punctuation – the Uses of Music in The Old Nurse’s Story by Elizabeth Gaskell
https://doi.org/10.31338/uw.9788323540885.pp.57-66
Joanna Kokot, https://orcid.org/0000-00024648-3402
Disharmonious Harmonies. Music as Theme in Charles Dickens’sThe Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323540885.pp.67-80
Marek Błaszak, https://orcid.org/0000-0003-2359-1563
Elements of Theatrical Performance and Sailors as Performers in Capt. Marryat’s Sea Novels
https://doi.org/10.31338/uw.9788323540885.pp.115-128
Maria Błaszkiewicz, https://orcid.org/
Handel’s Samson and the Art of Adaptation
https://doi.org/10.31338/uw.9788323540885.pp.29-44
Jacek Mydla, https://orcid.org/0000-0003-1240-286X
Horace Walpole’s The Mysterious Mother – a Gothic Oedipus?
https://doi.org/10.31338/uw.9788323540885.pp.83-102
Andrzej Weseliński, https://orcid.org/
Let’s Dance a Gavotte, Mr. Frankenstein. Some Remarks on the Theatrical Adaptations of Mary Shelley’s Novel
https://doi.org/10.31338/uw.9788323540885.pp.129-142
Pierre Dubois, https://orcid.org/
Music and the Georgian Novel, or the Divorce of Adam and Eve
https://doi.org/10.31338/uw.9788323540885.pp.11-28
Przemysław Uściński, https://orcid.org/
Spectacle of Pity: Hypocrisy and the Performance of Sentiment in Henry Mackenzie’s The Man of Feeling
https://doi.org/10.31338/uw.9788323540885.pp.103-114
Małgorzata Łuczyńska-Hołdys, https://orcid.org/
The Aeolian Harp and the Strain of Poetry – Musical Imagery in P.B. Shelley’s Selected Verse
https://doi.org/10.31338/uw.9788323540885.pp.45-56
Magdalena Pypeć, https://orcid.org/0000-0003-4361-0178
The Theatrical Trope as a Narrative Device in Dickens’s The Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323540885.pp.143-158
Zobacz również
Polecane
Cywilizacja. Szkice z dziejów pojęcia w XVIII i XIX wieku41,00 zł
36,90 zł
Details
- The author presents the history of the concept of "civilization" from around 1750 to around 1880. He analyzes texts written by the creators of various nationalities and specialties
Travel and Otherness in Nineteenth-Century British Writing33,00 zł
29,70 zł
Details
- The essays collected in the volume cover a wide selection of texts representing different genres, literary currents and ideological perspectives to offer diverse interpretative insights into the cultural significance of travel and foreignness in British
W podróży po Europie. Studia z dziejów kultury nowożytnej49,00 zł
44,10 zł
Details
- A collection of articles by professor Wojciech Tygielski on the key topics that form the author’s research interests, from the concept of patronage, through the history of travel and diplomacy, to Polish-Italian relations in the early modern era
Update Required
To play the media you will need to either update your browser to a recent version or update your Flash plugin.
