Information about a product
| Edition: | 1 |
| Place and year of publication: | Warszawa 2019 |
| Publication language: | angielski |
| ISBN/ISSN: | 978-83-235-4080-9 , 2657-9723 |
| EAN: | 9788323540809 |
| Number of page: | 160 |
| Binding: | Miękka |
| Format: | 17x24 cm |
| Weight: | 120 g |
| Method of publication: | Druk |
| Publication type: | Praca naukowa |
| DOI: | https://doi.org/10.31338/uw.9788323540885 |
The essays in this volume explore various aspects of creative interconnections between literature, music, theatre and performance in 18th and 19th-century Britain. The authors adopt diverse critical standpoints and methodologies, demonstrating numerous interpretative possibilities of the themes.
Keywords: british literature, british culture, 18th-century, 19th-century, theatre, music.
See other publications from the series: Texts and Contexts Studies in 18th and 19th Century British Literature and Culture »
Keywords: british literature, british culture, 18th-century, 19th-century, theatre, music.
See other publications from the series: Texts and Contexts Studies in 18th and 19th Century British Literature and Culture »
Anna Krawczyk-Łaskarzewska, https://orcid.org/
Content, Syntax, Punctuation – the Uses of Music in The Old Nurse’s Story by Elizabeth Gaskell
https://doi.org/10.31338/uw.9788323540885.pp.57-66
Joanna Kokot, https://orcid.org/0000-00024648-3402
Disharmonious Harmonies. Music as Theme in Charles Dickens’sThe Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323540885.pp.67-80
Marek Błaszak, https://orcid.org/0000-0003-2359-1563
Elements of Theatrical Performance and Sailors as Performers in Capt. Marryat’s Sea Novels
https://doi.org/10.31338/uw.9788323540885.pp.115-128
Maria Błaszkiewicz, https://orcid.org/
Handel’s Samson and the Art of Adaptation
https://doi.org/10.31338/uw.9788323540885.pp.29-44
Jacek Mydla, https://orcid.org/0000-0003-1240-286X
Horace Walpole’s The Mysterious Mother – a Gothic Oedipus?
https://doi.org/10.31338/uw.9788323540885.pp.83-102
Andrzej Weseliński, https://orcid.org/
Let’s Dance a Gavotte, Mr. Frankenstein. Some Remarks on the Theatrical Adaptations of Mary Shelley’s Novel
https://doi.org/10.31338/uw.9788323540885.pp.129-142
Pierre Dubois, https://orcid.org/
Music and the Georgian Novel, or the Divorce of Adam and Eve
https://doi.org/10.31338/uw.9788323540885.pp.11-28
Przemysław Uściński, https://orcid.org/
Spectacle of Pity: Hypocrisy and the Performance of Sentiment in Henry Mackenzie’s The Man of Feeling
https://doi.org/10.31338/uw.9788323540885.pp.103-114
Małgorzata Łuczyńska-Hołdys, https://orcid.org/
The Aeolian Harp and the Strain of Poetry – Musical Imagery in P.B. Shelley’s Selected Verse
https://doi.org/10.31338/uw.9788323540885.pp.45-56
Magdalena Pypeć, https://orcid.org/0000-0003-4361-0178
The Theatrical Trope as a Narrative Device in Dickens’s The Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323540885.pp.143-158
Content, Syntax, Punctuation – the Uses of Music in The Old Nurse’s Story by Elizabeth Gaskell
https://doi.org/10.31338/uw.9788323540885.pp.57-66
Joanna Kokot, https://orcid.org/0000-00024648-3402
Disharmonious Harmonies. Music as Theme in Charles Dickens’sThe Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323540885.pp.67-80
Marek Błaszak, https://orcid.org/0000-0003-2359-1563
Elements of Theatrical Performance and Sailors as Performers in Capt. Marryat’s Sea Novels
https://doi.org/10.31338/uw.9788323540885.pp.115-128
Maria Błaszkiewicz, https://orcid.org/
Handel’s Samson and the Art of Adaptation
https://doi.org/10.31338/uw.9788323540885.pp.29-44
Jacek Mydla, https://orcid.org/0000-0003-1240-286X
Horace Walpole’s The Mysterious Mother – a Gothic Oedipus?
https://doi.org/10.31338/uw.9788323540885.pp.83-102
Andrzej Weseliński, https://orcid.org/
Let’s Dance a Gavotte, Mr. Frankenstein. Some Remarks on the Theatrical Adaptations of Mary Shelley’s Novel
https://doi.org/10.31338/uw.9788323540885.pp.129-142
Pierre Dubois, https://orcid.org/
Music and the Georgian Novel, or the Divorce of Adam and Eve
https://doi.org/10.31338/uw.9788323540885.pp.11-28
Przemysław Uściński, https://orcid.org/
Spectacle of Pity: Hypocrisy and the Performance of Sentiment in Henry Mackenzie’s The Man of Feeling
https://doi.org/10.31338/uw.9788323540885.pp.103-114
Małgorzata Łuczyńska-Hołdys, https://orcid.org/
The Aeolian Harp and the Strain of Poetry – Musical Imagery in P.B. Shelley’s Selected Verse
https://doi.org/10.31338/uw.9788323540885.pp.45-56
Magdalena Pypeć, https://orcid.org/0000-0003-4361-0178
The Theatrical Trope as a Narrative Device in Dickens’s The Mystery of Edwin Drood
https://doi.org/10.31338/uw.9788323540885.pp.143-158
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