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Joan Didion

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Joan Didion – an American novelist, journalist, essayist and author of screenplays. She often wrote about her Californian roots and critically reassessed the historical legacy of her native region, showing that the determination of pioneers shaped their... czytaj więcej

Joan Didion

Redakcja Marek Paryż
Name of the series / journal: Mistrzowie literatury amerykańskiej
availability:
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36,00 zł
32.40 / 1egz.
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Edition:
1
Place and year of publication:
Warszawa 2024
Publication language:
polski
ISBN/ISSN:
978-83-235-6408-9
EAN:
9788323564089
Number of page:
192
Binding:
Miękka ze skrzydełkami
Format:
13,5x21 cm
Weight:
230 g
Method of publication:
Druk
Publication type:
Praca naukowa
Joan Didion – an American novelist, journalist, essayist and author of screenplays. She often wrote about her Californian roots and critically reassessed the historical legacy of her native region, showing that the determination of pioneers shaped their exploitative mentality. Her debut book was a novel titled Run River (1963) and she gained general recognition thanks to two non-fiction books about the era of counterculture: Slouching toward Bethlehem (1968) and The White Album (1979). In the new millennium, Didion achieved a huge success by publishing The Year of Magical Thinking (2005), a grief memoir written after her husband’s death.

Keywords: Joan Didion, New Journalism, California, Hollywood, non-fiction.

See other publications in the series: Communicare – historia i kultura »

Krzysztof Andrzejczak, https://orcid.org/0009-0003-6302-1167
„Znaleźć wizerunek bestii w dżungli” – Demokracja
https://doi.org/10.31338/uw.9788323564164.pp.73-90

Hanna Serkowska, https://orcid.org/0000-0001-6150-6185
Marcella Coppoletta, https://orcid.org/0009-0000-5009-6651
„Żal po stracie jest miejscem, którego nikt z nas nie zna, dopóki do niego nie trafi”. Laicki pamiętnik żałoby Joan Didion
https://doi.org/10.31338/uw.9788323564164.pp.139-152

Katarzyna Nowak-McNeice, https://orcid.org/0000-0001-7267-8732
Kalifornia w pisarstwie Joan Didion
https://doi.org/10.31338/uw.9788323564164.pp.23-38

Katarzyna Macedulska, https://orcid.org/0000-0001-6299-8468
Kształt żałoby – zapisy z epicentrum straty w Błękitnych nocach
https://doi.org/10.31338/uw.9788323564164.pp.153-172

Elżbieta Horodyska, https://orcid.org/0000-0002-0284-4800
Nawigacja w świecie pozbawionym środka – Graj jak się da
https://doi.org/10.31338/uw.9788323564164.pp.39-58

Łukasz Muniowski, https://orcid.org/
Political Fictions – proces, kontekst i Trump
https://doi.org/10.31338/uw.9788323564164.pp.109-124

Sebastian Słowiński, 0000-0002-2341-2513
Powiem wam, co o tym myślę – czyli o czym?
https://doi.org/10.31338/uw.9788323564164.pp.173-190

Marek Paryż, https://orcid.org/0000-0003-1108-2892
Romans tropików. Miami lat 80. w opisie Joan Didion
https://doi.org/10.31338/uw.9788323564164.pp.91-108

Jerzy Jarniewicz, https://orcid.org/0000-0003-2106-4030
W odśrodkowym wirze. Dryfując do Betlejem i Biały album
https://doi.org/10.31338/uw.9788323564164.pp.59-72

Tadeusz Pióro, https://orcid.org/0000-0002-7021-3752
Where I Was From. Korzenie neoliberalizmu
https://doi.org/10.31338/uw.9788323564164.pp.125-138

Marek Paryż, https://orcid.org/0000-0003-1108-2892
Wstęp. Joan Didion – pisarstwo jako „taktyka ukradkowego tyrana”
https://doi.org/10.31338/uw.9788323564164.pp.7-22

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