Information about a product
| Edition: | 3 |
| Place and year of publication: | Warszawa 2016 |
| Publication language: | polski |
| ISBN/ISSN: | 978-83-235-2211-9 |
| EAN: | 9788323522119 |
| Number of page: | 218 |
| Binding: | Miękka |
| Format: | 14,8x21,0 cm |
| Weight: | 280 g |
| Publication type: | Praca naukowa |
| DOI: | https://doi.org/10.31338/uw.9788323522195 |
Theory and aesthetics of the musical avant-garde of the second half of the 20th century
The book is devoted to the theoretical and aesthetic reflections of the three most eminent representatives of the musical avant-garde of the 1950s: John Cage, Pierre Boulez and Karlheinz Stockhausen. Based on their opinions, programmes and declarations, the author reconstructs the aesthetics of new music, in particular the views on works, artistic activities and perception. He presents the aesthetic awareness of Cage, Boulez and Stockhausen. The author analyses the concept of “musical avant-garde” in historical perspective.
Keywords: aesthetics, musical avant-garde, new music, contemporary music, musical theory, musical practice musical aesthetics
The book is devoted to the theoretical and aesthetic reflections of the three most eminent representatives of the musical avant-garde of the 1950s: John Cage, Pierre Boulez and Karlheinz Stockhausen. Based on their opinions, programmes and declarations, the author reconstructs the aesthetics of new music, in particular the views on works, artistic activities and perception. He presents the aesthetic awareness of Cage, Boulez and Stockhausen. The author analyses the concept of “musical avant-garde” in historical perspective.
Keywords: aesthetics, musical avant-garde, new music, contemporary music, musical theory, musical practice musical aesthetics
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