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Teoria i estetyka awangardy muzycznej drugiej połowy XX wieku

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The book is devoted to theoretical and aesthetic reflection of the three most outstanding representatives of the post-war avant-garde: John Cage, Pierre Boulez and Karlheinz Stockhausen. Based on their opinions, programmes and declarations, the author... czytaj więcej

Teoria i estetyka awangardy muzycznej drugiej połowy XX wieku

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Edition:
3
Place and year of publication:
Warszawa 2016
Publication language:
polski
ISBN/ISSN:
978-83-235-2211-9
EAN:
9788323522119
Number of page:
218
Binding:
Miękka
Format:
14,8x21,0 cm
Weight:
280 g
Publication type:
Praca naukowa
DOI:
https://doi.org/10.31338/uw.9788323522195
Theory and aesthetics of the musical avant-garde of the second half of the 20th century

The book is devoted to the theoretical and aesthetic reflections of the three most eminent representatives of the musical avant-garde of the 1950s: John Cage, Pierre Boulez and Karlheinz Stockhausen. Based on their opinions, programmes and declarations, the author reconstructs the aesthetics of new music, in particular the views on works, artistic activities and perception. He presents the aesthetic awareness of Cage, Boulez and Stockhausen. The author analyses the concept of “musical avant-garde” in historical perspective.

Keywords: aesthetics, musical avant-garde, new music, contemporary music, musical theory, musical practice musical aesthetics


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