Information about a product
| Edition: | 1 |
| Place and year of publication: | Warszawa 2024 |
| Publication language: | polski |
| ISBN/ISSN: | 978-83-235-6221-4 |
| EAN: | 9788323562214 |
| Number of page: | 148 |
| Binding: | Miękka ze skrzydełkami |
| Format: | 16,5x23,5 cm |
| Weight: | 370 g |
| Method of publication: | Druk |
| Publication type: | Praca naukowa |
| DOI: | https://doi.org/10.31338/uw.9788323562290 |
| Czasopismo: | Nie |
| Dziedzina: | Dziedzina nauk humanistycznych/nauki o sztuce , Dziedzina nauk humanistycznych/nauki o kulturze i religii |
'He Dared to Paint the Voice'. On Eternal – or Perhaps Only Modern – Analogy
The author proposes reflections on the relations of music and the world of sounds with visual arts – painting, graphics and sculpture – as a description of an impossible alliance. Avoiding an unambiguous answer, he discusses the search for such relations, their artistic, social and personal circumstances, which allow us to understand the paradox of art and the essence of modernity more fully.
Keywords: fine arts, music, correspondences of fine arts, modernism, 1900 breakthrough.
The author proposes reflections on the relations of music and the world of sounds with visual arts – painting, graphics and sculpture – as a description of an impossible alliance. Avoiding an unambiguous answer, he discusses the search for such relations, their artistic, social and personal circumstances, which allow us to understand the paradox of art and the essence of modernity more fully.
Keywords: fine arts, music, correspondences of fine arts, modernism, 1900 breakthrough.
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