Information about a product
| Edition: | 1 |
| Place and year of publication: | Warszawa 2024 |
| Publication language: | polski |
| Title of original: | Theorie des Bildakts |
| Translator: | Słabicka-Turpeinen Małgorzata |
| Autor posłowia: | Mościcki Paweł |
| ISBN/ISSN: | 978-83-235-6580-2 |
| EAN: | 9788323565802 |
| Number of page: | 494 |
| Binding: | Miękka |
| Format: | 13,5x20,5 cm |
| Weight: | 570 g |
| Method of publication: | Druk |
| Publication type: | Praca naukowa |
| DOI: | https://doi.org/10.31338/uw.9788323565888 |
Image Acts
The first Polish translation of the Image Acts, written by Horst Bredekamp, professor at the Humboldt University of Berlin, an art historian specialising in the theory of the image, political iconology and scientific imagery.
In the publication, illustrated with about two hundred reproductions of artworks and iconographic sources, the author defines the impact of the image on human feelings, thinking and actions. He offers the reader a reflection on how the recipient's self-perspective transforms itself into an interaction between the recipient himself and the world that meets him. This process, according to the author, occurs in three dimensions: schematic – as a result of imitation of gestures, poses and image formulas, substitutive – as an exchange between the image and the body, and autonomous – as the inner force of the influence of the form itself.
See other publications in the series: Communicare – historia i kultura »
Keywords: image act, history of image, image agency, performative, Horst Bredekamp.
The first Polish translation of the Image Acts, written by Horst Bredekamp, professor at the Humboldt University of Berlin, an art historian specialising in the theory of the image, political iconology and scientific imagery.
In the publication, illustrated with about two hundred reproductions of artworks and iconographic sources, the author defines the impact of the image on human feelings, thinking and actions. He offers the reader a reflection on how the recipient's self-perspective transforms itself into an interaction between the recipient himself and the world that meets him. This process, according to the author, occurs in three dimensions: schematic – as a result of imitation of gestures, poses and image formulas, substitutive – as an exchange between the image and the body, and autonomous – as the inner force of the influence of the form itself.
See other publications in the series: Communicare – historia i kultura »
Keywords: image act, history of image, image agency, performative, Horst Bredekamp.
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