Information about a product
| Edition: | 1 |
| Place and year of publication: | Warszawa 2013 |
| Publication language: | polski , angielski |
| ISBN/ISSN: | 978-83-235-1255-4 |
| EAN: | 9788323512554 |
| Number of page: | 508 |
| Method of publication: | PDF |
| Size of the file: | 9,83 MB |
| Publication type: | Praca naukowa |
| DOI: | https://doi.org/10.31338/uw.9788323512554 |
Shakespeareomania. A book dedicated to the memory of Andrzej Żurowski
A collection of essays dedicated to the memory of a renowned Shakespeare scholar Andrzej Żurowski (1944–2013). The book is devoted to the interpretation and reception of Shakespeare’s works in Polish theatre and abroad, to theatrical practices and various dramatic devices, to translations and comparative studies, as well as to polemics and Shakespearean inspirations in broadly defined culture: in music, iconography, and translation. A diverse study of the phenomenon of the contemporary and global Shakespeare.
Keywords: Shakespeare in Polish theatre, Polish Shakespeare scholars, Shakespearean inspirations, Polish theatre studies.
A collection of essays dedicated to the memory of a renowned Shakespeare scholar Andrzej Żurowski (1944–2013). The book is devoted to the interpretation and reception of Shakespeare’s works in Polish theatre and abroad, to theatrical practices and various dramatic devices, to translations and comparative studies, as well as to polemics and Shakespearean inspirations in broadly defined culture: in music, iconography, and translation. A diverse study of the phenomenon of the contemporary and global Shakespeare.
Keywords: Shakespeare in Polish theatre, Polish Shakespeare scholars, Shakespearean inspirations, Polish theatre studies.
Pavel Drábek, https://orcid.org/
“My dreams presage too true”: Dreams as a Dramatic Device in Elizabethan Drama
https://doi.org/10.31338/uw.9788323512554.pp.249-261
Tadeusz Sucharski, https://orcid.org/
„Co będzie t a m?”, czyli Hamleci Dostojewskiego (z rzutem oka na szekspiriana rosyjskiego geniusza)
https://doi.org/10.31338/uw.9788323512554.pp.331-354
Piotr Kamiński,
„Z ciebie pewnie muzyk całą gębą…”
https://doi.org/10.31338/uw.9788323512554.pp.438-450
Ayami Oki-Siekierczak, https://orcid.org/
A New Interpretation of the Blue Lights in Richard III: Functions of the Blue Hue in Yushi Odashima’s Translation
https://doi.org/10.31338/uw.9788323512554.pp.451-460
Józef Bachórz,
Bolesław Prus podziwia Helenę Modrzejewską
https://doi.org/10.31338/uw.9788323512554.pp.84-91
Jacek Fabiszak,
Conflict and Rhetoric. On the Structuring of Roles in Conflict in Shakespeare’s (Non)dramatic Poetry
https://doi.org/10.31338/uw.9788323512554.pp.262-273
Elżbieta Baniewicz, https://orcid.org/
Czarne lustra: Opowieści afrykańskie Krzysztofa Warlikowskiego
https://doi.org/10.31338/uw.9788323512554.pp.155-164
Daniel Gerould, https://orcid.org/
Hamlet and the Travelling Players
https://doi.org/10.31338/uw.9788323512554.pp.167-181
Jan Michalik, https://orcid.org/
Hamlet i Hamlet 1914. Rekonesans .
https://doi.org/10.31338/uw.9788323512554.pp.92-102
Jarosław Komorowski, https://orcid.org/
Hamlet jednorożec
https://doi.org/10.31338/uw.9788323512554.pp.426-437
Patrice Pavis, https://orcid.org/
Hamlet spod znaku globalizacji
https://doi.org/10.31338/uw.9788323512554.pp.207-212
Małgorzata Grzegorzewska,
Measure for Measure: A Requiem for Humanity
https://doi.org/10.31338/uw.9788323512554.pp.370-390
Georges Banu, https://orcid.org/
Metafory i praktyki teatru
https://doi.org/10.31338/uw.9788323512554.pp.233-248
Manabu Noda, https://orcid.org/
Mirrored Image and the Dislocation of Culture in Ninagawa’s Shakespeare
https://doi.org/10.31338/uw.9788323512554.pp.213-230
Sławomir Rzepczyński, https://orcid.org/
Norwidowska „zbrodnia stanu”. Szekspir w twórczości Norwida (O Kleopatrze i Aktorze)
https://doi.org/10.31338/uw.9788323512554.pp.355-369
Mieczysław Abramowicz, https://orcid.org/
O znaczkach z Szajlokiem
https://doi.org/10.31338/uw.9788323512554.pp.461-473
Tomasz Miłkowski, https://orcid.org/
Poznańska dyrekcja Janusza Wiśniewskiego albo Czas na klasyków
https://doi.org/10.31338/uw.9788323512554.pp.134-154
Michał Kuziak,
Sen, Słowacki, Szekspir i inni
https://doi.org/10.31338/uw.9788323512554.pp.305-330
Kathleen Cioffi, https://orcid.org/
Shakespeare, the Polish Director’s Contemporary
https://doi.org/10.31338/uw.9788323512554.pp.122-133
Yun-Cheol Kim, https://orcid.org/
Shakespeare’s Unhistorical Inventions and Deviations from Holinshed, and Their Dramatic Functions in Richard II
https://doi.org/10.31338/uw.9788323512554.pp.274-284
Marta Gibińska,
Szekspir w teatrze Stanisława Koźmiana, Kraków: 1865–1885
https://doi.org/10.31338/uw.9788323512554.pp.67-83
Anna Janicka,
Jarosław Ławski,
Szekspirofobia? Mowa krótka w Jana Śniadeckiego obronie
https://doi.org/10.31338/uw.9788323512554.pp.287-304
John Elsom, https://orcid.org/
The Englishness of Shakespeare
https://doi.org/10.31338/uw.9788323512554.pp.421-425
Prof. dr hab. Jerzy Limon,
The Face as a Stage: Roberto Bacci’s Hamlet
https://doi.org/10.31338/uw.9788323512554.pp.192-206
Anna Frajlich, https://orcid.org/
The Ghost of Shakespeare in the Poetry of Szymborska
https://doi.org/10.31338/uw.9788323512554.pp.391-406
Maria Shevtsova, https://orcid.org/
The Tempest: Declan Donnellan and Oskaras Korsunovas Look Backwards into the Abyss of Time
https://doi.org/10.31338/uw.9788323512554.pp.182-191
Patricia Keeney, https://orcid.org/
Venus and Adonis: Shakespeare’s Blueprint for Tragedy
https://doi.org/10.31338/uw.9788323512554.pp.407-418
Kazimierz Braun, https://orcid.org/
Z szekspirowskiego archiwum reżysera
https://doi.org/10.31338/uw.9788323512554.pp.103-121
“My dreams presage too true”: Dreams as a Dramatic Device in Elizabethan Drama
https://doi.org/10.31338/uw.9788323512554.pp.249-261
Tadeusz Sucharski, https://orcid.org/
„Co będzie t a m?”, czyli Hamleci Dostojewskiego (z rzutem oka na szekspiriana rosyjskiego geniusza)
https://doi.org/10.31338/uw.9788323512554.pp.331-354
Piotr Kamiński,
„Z ciebie pewnie muzyk całą gębą…”
https://doi.org/10.31338/uw.9788323512554.pp.438-450
Ayami Oki-Siekierczak, https://orcid.org/
A New Interpretation of the Blue Lights in Richard III: Functions of the Blue Hue in Yushi Odashima’s Translation
https://doi.org/10.31338/uw.9788323512554.pp.451-460
Józef Bachórz,
Bolesław Prus podziwia Helenę Modrzejewską
https://doi.org/10.31338/uw.9788323512554.pp.84-91
Jacek Fabiszak,
Conflict and Rhetoric. On the Structuring of Roles in Conflict in Shakespeare’s (Non)dramatic Poetry
https://doi.org/10.31338/uw.9788323512554.pp.262-273
Elżbieta Baniewicz, https://orcid.org/
Czarne lustra: Opowieści afrykańskie Krzysztofa Warlikowskiego
https://doi.org/10.31338/uw.9788323512554.pp.155-164
Daniel Gerould, https://orcid.org/
Hamlet and the Travelling Players
https://doi.org/10.31338/uw.9788323512554.pp.167-181
Jan Michalik, https://orcid.org/
Hamlet i Hamlet 1914. Rekonesans .
https://doi.org/10.31338/uw.9788323512554.pp.92-102
Jarosław Komorowski, https://orcid.org/
Hamlet jednorożec
https://doi.org/10.31338/uw.9788323512554.pp.426-437
Patrice Pavis, https://orcid.org/
Hamlet spod znaku globalizacji
https://doi.org/10.31338/uw.9788323512554.pp.207-212
Małgorzata Grzegorzewska,
Measure for Measure: A Requiem for Humanity
https://doi.org/10.31338/uw.9788323512554.pp.370-390
Georges Banu, https://orcid.org/
Metafory i praktyki teatru
https://doi.org/10.31338/uw.9788323512554.pp.233-248
Manabu Noda, https://orcid.org/
Mirrored Image and the Dislocation of Culture in Ninagawa’s Shakespeare
https://doi.org/10.31338/uw.9788323512554.pp.213-230
Sławomir Rzepczyński, https://orcid.org/
Norwidowska „zbrodnia stanu”. Szekspir w twórczości Norwida (O Kleopatrze i Aktorze)
https://doi.org/10.31338/uw.9788323512554.pp.355-369
Mieczysław Abramowicz, https://orcid.org/
O znaczkach z Szajlokiem
https://doi.org/10.31338/uw.9788323512554.pp.461-473
Tomasz Miłkowski, https://orcid.org/
Poznańska dyrekcja Janusza Wiśniewskiego albo Czas na klasyków
https://doi.org/10.31338/uw.9788323512554.pp.134-154
Michał Kuziak,
Sen, Słowacki, Szekspir i inni
https://doi.org/10.31338/uw.9788323512554.pp.305-330
Kathleen Cioffi, https://orcid.org/
Shakespeare, the Polish Director’s Contemporary
https://doi.org/10.31338/uw.9788323512554.pp.122-133
Yun-Cheol Kim, https://orcid.org/
Shakespeare’s Unhistorical Inventions and Deviations from Holinshed, and Their Dramatic Functions in Richard II
https://doi.org/10.31338/uw.9788323512554.pp.274-284
Marta Gibińska,
Szekspir w teatrze Stanisława Koźmiana, Kraków: 1865–1885
https://doi.org/10.31338/uw.9788323512554.pp.67-83
Anna Janicka,
Jarosław Ławski,
Szekspirofobia? Mowa krótka w Jana Śniadeckiego obronie
https://doi.org/10.31338/uw.9788323512554.pp.287-304
John Elsom, https://orcid.org/
The Englishness of Shakespeare
https://doi.org/10.31338/uw.9788323512554.pp.421-425
Prof. dr hab. Jerzy Limon,
The Face as a Stage: Roberto Bacci’s Hamlet
https://doi.org/10.31338/uw.9788323512554.pp.192-206
Anna Frajlich, https://orcid.org/
The Ghost of Shakespeare in the Poetry of Szymborska
https://doi.org/10.31338/uw.9788323512554.pp.391-406
Maria Shevtsova, https://orcid.org/
The Tempest: Declan Donnellan and Oskaras Korsunovas Look Backwards into the Abyss of Time
https://doi.org/10.31338/uw.9788323512554.pp.182-191
Patricia Keeney, https://orcid.org/
Venus and Adonis: Shakespeare’s Blueprint for Tragedy
https://doi.org/10.31338/uw.9788323512554.pp.407-418
Kazimierz Braun, https://orcid.org/
Z szekspirowskiego archiwum reżysera
https://doi.org/10.31338/uw.9788323512554.pp.103-121
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