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Szekspiromania. Księga dedykowana pamięci Andrzeja Żurowskiego – PDF

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A collection of essays dedicated to the memory of a renowned Shakespeare scholar Andrzej Żurowski (1944–2013). The book is devoted to the interpretation and reception of Shakespeare’s works in Polish theatre and abroad, to theatrical practices and various... czytaj więcej

Szekspiromania. Księga dedykowana pamięci Andrzeja Żurowskiego – PDF

Pod redakcją Anny Cetery
Scientific editor: Cetera Anna
Date of realise: 2013-07-26
availability:
59,00 zł
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Edition:
1
Place and year of publication:
Warszawa 2013
Publication language:
polski
,
angielski
ISBN/ISSN:
978-83-235-1255-4
EAN:
9788323512554
Number of page:
508
Size of the file:
9,83 MB
Publication type:
Praca naukowa
DOI:
https://doi.org/10.31338/uw.9788323512554
Shakespeareomania. A book dedicated to the memory of Andrzej Żurowski

A collection of essays dedicated to the memory of a renowned Shakespeare scholar Andrzej Żurowski (1944–2013). The book is devoted to the interpretation and reception of Shakespeare’s works in Polish theatre and abroad, to theatrical practices and various dramatic devices, to translations and comparative studies, as well as to polemics and Shakespearean inspirations in broadly defined culture: in music, iconography, and translation. A diverse study of the phenomenon of the contemporary and global Shakespeare.

Keywords: Shakespeare in Polish theatre, Polish Shakespeare scholars, Shakespearean inspirations, Polish theatre studies.

Dr hab. Anna Cetera (born 1970) – is Associate Professor of English literature at the University of Warsaw. Her publications include two monographs: Enter Lear. The Translator’s Part in Performance (2008) and Smak morwy. U źródeł recepcji przekładów Szekspira w Polsce [Mulberry Taste. The Beginnings of the Polish Reception of Shakespeare in Translation] (2009). She has published in academic journals on the reception and interpretation of Shakespeare’s plays and on the semiotics of drama. Currently she is editing a series of new Polish translations of Shakespeare: Richard II (2009), Macbeth (2011), Twelfth Night (2012) and The Tempest (2012).

Pavel Drábek, https://orcid.org/
“My dreams presage too true”: Dreams as a Dramatic Device in Elizabethan Drama
https://doi.org/10.31338/uw.9788323512554.pp.249-261

Tadeusz Sucharski, https://orcid.org/
„Co będzie t a m?”, czyli Hamleci Dostojewskiego (z rzutem oka na szekspiriana rosyjskiego geniusza)
https://doi.org/10.31338/uw.9788323512554.pp.331-354

Piotr Kamiński,
„Z ciebie pewnie muzyk całą gębą…”
https://doi.org/10.31338/uw.9788323512554.pp.438-450

Ayami Oki-Siekierczak, https://orcid.org/
A New Interpretation of the Blue Lights in Richard III: Functions of the Blue Hue in Yushi Odashima’s Translation
https://doi.org/10.31338/uw.9788323512554.pp.451-460

Józef Bachórz,
Bolesław Prus podziwia Helenę Modrzejewską
https://doi.org/10.31338/uw.9788323512554.pp.84-91

Jacek Fabiszak,
Conflict and Rhetoric. On the Structuring of Roles in Conflict in Shakespeare’s (Non)dramatic Poetry
https://doi.org/10.31338/uw.9788323512554.pp.262-273

Elżbieta Baniewicz, https://orcid.org/
Czarne lustra: Opowieści afrykańskie Krzysztofa Warlikowskiego
https://doi.org/10.31338/uw.9788323512554.pp.155-164

Daniel Gerould, https://orcid.org/
Hamlet and the Travelling Players
https://doi.org/10.31338/uw.9788323512554.pp.167-181

Jan Michalik, https://orcid.org/
Hamlet i Hamlet 1914. Rekonesans .
https://doi.org/10.31338/uw.9788323512554.pp.92-102

Jarosław Komorowski, https://orcid.org/
Hamlet jednorożec
https://doi.org/10.31338/uw.9788323512554.pp.426-437

Patrice Pavis, https://orcid.org/
Hamlet spod znaku globalizacji
https://doi.org/10.31338/uw.9788323512554.pp.207-212

Małgorzata Grzegorzewska,
Measure for Measure: A Requiem for Humanity
https://doi.org/10.31338/uw.9788323512554.pp.370-390

Georges Banu, https://orcid.org/
Metafory i praktyki teatru
https://doi.org/10.31338/uw.9788323512554.pp.233-248

Manabu Noda, https://orcid.org/
Mirrored Image and the Dislocation of Culture in Ninagawa’s Shakespeare
https://doi.org/10.31338/uw.9788323512554.pp.213-230

Sławomir Rzepczyński, https://orcid.org/
Norwidowska „zbrodnia stanu”. Szekspir w twórczości Norwida (O Kleopatrze i Aktorze)
https://doi.org/10.31338/uw.9788323512554.pp.355-369

Mieczysław Abramowicz, https://orcid.org/
O znaczkach z Szajlokiem
https://doi.org/10.31338/uw.9788323512554.pp.461-473

Tomasz Miłkowski, https://orcid.org/
Poznańska dyrekcja Janusza Wiśniewskiego albo Czas na klasyków
https://doi.org/10.31338/uw.9788323512554.pp.134-154

Michał Kuziak,
Sen, Słowacki, Szekspir i inni
https://doi.org/10.31338/uw.9788323512554.pp.305-330

Kathleen Cioffi, https://orcid.org/
Shakespeare, the Polish Director’s Contemporary
https://doi.org/10.31338/uw.9788323512554.pp.122-133

Yun-Cheol Kim, https://orcid.org/
Shakespeare’s Unhistorical Inventions and Deviations from Holinshed, and Their Dramatic Functions in Richard II
https://doi.org/10.31338/uw.9788323512554.pp.274-284

Marta Gibińska,
Szekspir w teatrze Stanisława Koźmiana, Kraków: 1865–1885
https://doi.org/10.31338/uw.9788323512554.pp.67-83

Anna Janicka,
Jarosław Ławski,
Szekspirofobia? Mowa krótka w Jana Śniadeckiego obronie
https://doi.org/10.31338/uw.9788323512554.pp.287-304

John Elsom, https://orcid.org/
The Englishness of Shakespeare
https://doi.org/10.31338/uw.9788323512554.pp.421-425

Prof. dr hab. Jerzy Limon,
The Face as a Stage: Roberto Bacci’s Hamlet
https://doi.org/10.31338/uw.9788323512554.pp.192-206

Anna Frajlich, https://orcid.org/
The Ghost of Shakespeare in the Poetry of Szymborska
https://doi.org/10.31338/uw.9788323512554.pp.391-406

Maria Shevtsova, https://orcid.org/
The Tempest: Declan Donnellan and Oskaras Korsunovas Look Backwards into the Abyss of Time
https://doi.org/10.31338/uw.9788323512554.pp.182-191

Patricia Keeney, https://orcid.org/
Venus and Adonis: Shakespeare’s Blueprint for Tragedy
https://doi.org/10.31338/uw.9788323512554.pp.407-418

Kazimierz Braun, https://orcid.org/
Z szekspirowskiego archiwum reżysera
https://doi.org/10.31338/uw.9788323512554.pp.103-121

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